steven soderbergh movies ranked

Full Frontal is not very memorable, and that’s not something you can often say about a Soderbergh joint. After retiring from feature filmmaking for several years, my favourite American director is back this week with Logan Lucky. Logan Lucky (2017) The most recent work by Soderbergh on this list, Logan Lucky, is a heist comedy film that forced the filmmaker to come out of retirement to direct it and then to distribute it through his company. The Films of Steven Soderbergh, Ranked 'Unsane' is the latest addition to a long and diverse list of Steven Soderbergh films. A game ensemble, including Channing Tatum, Jude Law, and Catherine Zeta-Jones, is clearly up for anything Soderbergh dishes out. ... All Michael Apted Movies Ranked by Tomatometer – The Best TV Shows of 2020 – 100 Best Movies on Disney Plus (January 2021) – 100 Best Movies on Hulu to Watch Right Now (January 2021) – Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie … Tatum is Mike, the top draw at the Xquisite, a strip club run by the grandiose Dallas (Matthew McConaughey). Rather than justifiably focusing on Channing Tatum doing physical labor and sweating in the hot summer sun, the script diverts its attentions toward Mike demanding agreed upon pay and hours from his boss. Every Show Should Have at Least One Episode With Fred Melamed, How did the two MCU characters end up, happily, in trailers for this month’s post-. One of Soderbergh’s most popular movies, with good reason. But the man’s harsh assessment of the finished product is accurate. For now, though: The best you can do are old grainy YouTube videos. The story of Mark Whitacre, a high-paid corporate stooge turned whistleblower against food processing giant Archer Daniels Midland, is rendered an utterly unique experience in Soderbergh’s take on upper management. In a sense, Chelsea, the escort played by adult film star Sasha Grey in The Girlfriend Experience, represents Soderbergh at the height of his worth in Hollywood, and at his most potently enraged as an artist. The movie was reportedly improvised heavily, and the scenes where the actors just relax with each other and banter are charming and compelling. Al Pacino is giddily over-the-top as Willy Bank, a real estate mogul who cuts Reuben (Elliott Gould) out of a lucrative deal and sends him to the hospital. But ultimately, Side Effects feels a bit too mechanical, a bit too amused with its own intrigue, to feel like the proper sendoff. As such, it’s a waxworks, failing to generate much passion beyond a mild intellectual engagement in Soderbergh’s subversion of the earlier cinematic period’s tamer attitudes toward sex, violence, and cursing. And yet, Magic Mike is pure pleasure — albeit pleasure flecked with melancholy recognition that its aging main character can’t keep doing this forever. Thank goodness it wasn’t. Search for: Search. The movie depicts Kafka in a moment of artistic and political transformation and locates the influence in the ideas and scenes that he wrote in his novels and stories of the era. A newscast in this film refers to Logan Lucky’s heist as “Ocean’s 7-11,” and while you smile at the meta joke, the film earns the comparison. The most genuinely effective of Soderbergh’s early-to-mid-aughts experimental features. You want proof of Soderbergh’s commercial clout around the time of the Ocean’s sequels? Of Course Bruce Springsteen Is Playing Biden’s Inauguration Special. A documentary of Streep, her co-stars, and Soderbergh just hanging out on a boat might have been more absorbing, and probably would have had more forward momentum. Soderbergh stresses the struggles to maintain a job and a tame social life in the wake of addiction, which gives the film a splash of genuine curiosity and thoughtfulness, but more times than not, the filmmaker uses his time to hone his talents at building and diffusing tension. All rights reserved. Where Leonard’s Jackie Brown helped Quentin Tarantino find his inner Douglas Sirk, Out of Sight brings out Soderbergh’s love for New Hollywood crime dramas, the sort fashioned by Stuart Rosenberg and Peter Yates in the early 1970s. No other modern popular filmmaker has worked so diligently and successfully at molding innovative movies that also entertain. Still: These movies, all three of them, remain compulsively watchable. Shot in down-and-dirty Soderbergh fashion, this time entirely with an iPhone, High Flying Bird is basketball film with no actual basketball in it: It follows an NBA agent (Andre Holland) navigating a lockout while he both tries both to get his star rookie point guard paid and to change the entire financial structure of the sport. Traffic for the Outbreak crowd, Contagion is uniquely suited to Soderbergh’s sober, meticulous approach. Consider rumors of Gomez’s upcoming Spanish-language music confirmed. Alisha Weir will play the titular telekinetic kid in the streamer’s adaptation of the Broadway musical. Haywire is quintessential Soderbergh during his “Wouldn’t it be fun if I tried this?” period, picking a non-professional as his lead — Carano did her own stunts — and bringing his considered, brainy tone to the action genre. Clooney finally wearing the Cary Grant comparisons as comfortably as he fills out that tux. Covering the hottest movie and TV topics that fans want. The movie actually feels a little more like Traffic, though, with multiple stories occasionally intersecting (with the connective tissue of two money laundering narrators played by Gary Oldman and Antonio Banderas) in service of a larger point about … well, about Something Bad In Society. Goosed along by Cliff Martinez’s ghostly electronic score, Soderbergh taps into our collective inner hypochondriac, making every character’s sniffle or rubbed eye bristle with potential danger. Soderbergh is in pure gritty crime mode with this almost-too-hip-for-any-room thriller about an English father (Terence Stamp) coming to America to track down the people who murdered his daughter. In a story that feels like it was being made up as it was being shot, the director got his Hollywood friends – led by Julia Roberts, coming off her “Erin Brockovich” Academy Award – to partake in an experiment that blurred the lines between fi… He’d swing bigger both before and after this movie, but this remains the one he got exactly right. Juice WRLD’s Final Music Video, ‘Bad Boy’ With Young Thug, Drops. The closer we get to #1, the better Soderbergh’s movies balance entertainment with tone, character, and story. Jason Isaacs Has Some Bad News, 'WandaVision' Review: The MCU's Most Daring Experiment Yet Could End Up Being Its Best, Matteo Garrone on Telling a New 'Pinocchio' Story and Collaborating with Roberto Benigni, Craving Addictive Noir Drama? Soderbergh still pushes his writers and performers to lean on invention over all, so things remain surprisingly fresh but there’s no substance here whatsoever. In almost every measure, Steven Soderbergh is an economical artist. And the hotel room scene remains a standard for movie sensuality still today. Her new dark comedy co-stars Dianne Wiest, Chris Messina, and more. The movie that drove Soderbergh crazy — he still talks today about how much the film burned him out — turned out to be worth all the trouble. Matt Damon has done some of his funniest, most exciting work in Soderbergh’s films — let’s take a moment to recall how great he is as the kept man in Behind the Candelabra — but the apex of their partnership has to be The Informant! Made at the time when plenty of remarkable directors were making extremely ugly movies on digital, this 2002 whatsit feels like a jumble of ideas spread out across a series of disjointed exchanges between a gang of talented actors, including Julia Roberts, Blair Underwood, David Duchovny, and David Hyde Pierce. At the heart of everything in Magic Mike is a negotiation of labor. Soderbergh had just parted ways with Sony over its adaptation of Moneyball, and in the midst of his funk, the dejected director happened to catch MMA fighter Gina Carano on TV. Screenwriter Stephen Gaghan, a former addict, wanted to tell a story about the War on Drugs, but he was stuck after months of research and interviews. Soderbergh hasn’t made a lot of love stories, which is one reason why this HBO film — it got a theatrical release outside the U.S. — is so noteworthy. In hindsight, for all the great sense of visual and dialectical detail that the director showcases here, King of the Hill is ultimately about the importance of self-reliance and self-restraint, knowing that you’re on the level when everything else drops out. 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It’s still smart and funny and sad in the way that Gray was, but it feels more peripheral: An entertaining work, but a minor one. He’s still one of the most fascinating filmmakers on the planet, and every new movie is an instant must-watch. Plus: If Soderbergh ever decides to retire again, he definitely has a career in Funny Mirror Faces. *Sorry, there was a problem signing you up. This award-winning drama doesn’t pretend to have any answers, but it’s an exceedingly sober and intelligent look into how this unwinnable, maddening conflict ensnares so many lives and cuts across class and cultural barriers. Like much of the director’s work, the question of how much a performer gives of them, and how much they simply create, is plumbed but not much else happens. On its face, this could easily be a campy hoot, but Soderbergh and his two stars invest real feeling into this relationship — in particular, what drew Thorson to this much-older man. Mrs. Taylor stabbed her husband (Channing Tatum) to death but doesn’t clearly remember the act, and she actively works with Banks to get her defense together and airtight. Soderbergh, for his own mental health, may never make another movie like it, but this is Soderbergh working on a vaster canvas with equal mastery. King of the Hill was the first and only time Soderbergh would base a narrative around a child’s perspective — but it’s far too intelligent and nuanced to be thought of as just a kid’s movie. Soderbergh and cinematographer Elliot Davis give this period drama a nostalgic glow, but that’s a bit of a feint: King of the Hill may look warm and wistful, but its story is actually rather unsentimental about the ways that the adult world can look positively frightening to kids — especially when it’s thrust upon them way too early in their lives. As is often the case in Soderbergh’s movies, professional talent and love of work are celebrated but that same take-charge attitude causes an imbalance, even strife at home. Matt Damon happily serving the Ringo Starr/younger brother role alongside his older costars. Updates on all of the celebrities, politicians, and more who have been vaccinated for the coronavirus. A commercial dud that’s ripe for reappraisal — Moonlight filmmaker Barry Jenkins is a big fan — Solaris remains an interesting digression in the Soderbergh oeuvre that’s worth a second look, even if it’s trapped in the shadow of Tarkovsky’s grander, greater film. As former lovers still hung up on one another, Clooney and Blanchett exhibit some chemistry, but The Good German feels like it should be called Studio System War Drama: The Movie — everything about it is meant to reference back to an earlier, better film. Menu. Soderbergh minces and matches genre here, but does it effortlessly — so effortlessly you’ll never notice. Unfortunately, every time the plot comes in — especially during an out-of-nowhere last-act twist — the movie grinds to a halt. Good luck finding it, though: The film was never released on DVD in the United States and the rights themselves have reverted back to Soderbergh, who vows he’ll someday recut and re-release it. He isn’t, and when it becomes clear that Whitacre is just as guilty as the higher-ups he fingered, all hell breaks loose. From Chris Cabin, Noah Baumbach Reuniting with Adam Driver, Greta Gerwig for Netflix Adaptation of ‘White Noise’, ‘Locked Down’ Review: A Bizarre Movie for Bizarre Times, Pedro Pascal on ‘Wonder Woman 1984’, ‘The Mandalorian’, and David E. Kelley's 'Wonder Woman' Pilot, Disneyland Cancels Annual Passholder Program, Promises “New Membership Offerings”, Disney+’s ‘Flora & Ulysses’ Trailer: This Squirrel Superhero Will Drive Your Dog Insane, AGDQ 2021 Raised Nearly $3 Million for Charity This Weekend; Watch the Event's Epic Speedrunning VODs Here, First ‘I Care a Lot’ Trailer Features Rosamund Pike at Her Meanest. Not only are they wildly different — they even vary in terms of Soderbergh’s intent. John Legend, the Foo Fighters, Eva Longoria, and Kerry Washington have also been added. And while they all have their rightful place in the pantheon of auteurs, I’ve always wondered why one name has yet to reach the list. If this sequel to Soderbergh’s Ocean’s Eleven is worth anything, its in the cast that the director assembles and his own cinematography under the moniker Peter Andrews, which together tests the limitations of polishing turds. Best Steven Soderbergh Movies, Ranked for Filmmakers . Based on the Stanislaw Lem novel that also inspired Andrei Tarkovsky’s towering 1972 film, this new Solaris starred George Clooney as Chris Kelvin, a psychiatrist who travels to a remote space station orbiting the planet Solaris. It’s not even close, as the director has released over 20 movies since the year 2000. This remake of a not very good Rat Pack joint underlines the entire artistic philosophy of Soderbergh, utilizing a gang of barely reformed, low-level criminals to take down corrupt casino owner Terry Benedict (Andy Garcia). ), Out of Sight manages to feel like a ‘70s crime flick, a hip citizen of Tarantino-land and a classic ‘50s dames-and-fellas fedora thriller all at once. Its not an entirely memorable movie, aside from Debbie Doebereiner’s stunning lead performance, but it’s a hotbed of technical and visual ideas that Soderbergh deploys in a fever. The movie gets a little bogged down in its plot – the agent’s backstory is a bit labored, and as great as she is, Zazie Beetz’s character isn’t given enough to do – but there is something radical and revolutionary about what Soderbergh and screenwriter Tarell Alvin McCraney (Moonlight) are up to here. Steven Soderbergh Celebrity Profile - Check out the latest Steven Soderbergh photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Ocean’s Thirteen. In a way, he brought his A-game more than Gray did. Films include Ocean's Eleven, Ocean's Twelve, and Contagion Tweet Share Post Bookmark ‘Unsane’ is the latest addition to a long and diverse list of Steven Soderbergh films. Still, he makes a handsome production out of this tale of a rehabilitated gambling addict (Peter Gallaghar) who goes straight but is sucked back into the world of crime via his ex-wife’s new beau (William Fichtner). It goes back to an ugly, bewildering truth about making movies, one that Joe Swanberg discussed at his SXSW speech a few years ago: if you have no money, everyone wants to say no to your idea, whereas when you have money already, everyone wants to give you much more. Soderbergh’s posthumous tribute to Spalding Gray, made six years after his death, is another Soderbergh experiment, a documentary that has no narration or interviews. Some of them are big studio tentpoles; some of them are micro-budget doodles; some of them seem to alienate on purpose. Instead, Contagion is a fascinating examination of process — how health officials try to combat the disease and how civilization starts to implode once it becomes clear that all hope is lost. Instead, Soderbergh just worked with existing footage — Gray’s footage — to try and cobble together the life story of one of his heroes. Throughout film school, one is inundated with a list of “the masters.” Your Kubricks, your Scorseses, and your Tarantinos. Soderbergh squeezes out one last ounce of fun from the series in this finale, which drops Julia Roberts but adds a gloriously sleazy Al Pacino as a Steve Wynn-type who might actually be the best villain of the entire series. An undervalued gem of the director’s 90s output that was resuscitated by its release on the Criterion label, King of the Hill now feels like one of Soderbergh’s most simple and satisfying tales to date. The language, courtesy of Gray and co-writer Renee Shafransky, is dense, hilarious, rhythmic, and detailed, and Soderbergh uses his framing talents sparingly here, giving just enough to remind you that he’s there without overshadowing Gray and his talk. "We’re always giving notes and they are very kind to welcome opinions.". He’s having an affair with his wife’s sister (Laura San Giacomo) when his old college chum (James Spader) comes to town, advocating a belief that talking about sex is actually more satisfying than the physical act. Extra demerit for including Bruce Willis in a meta role. Steven Soderbergh is one of the busiest filmmakers alive and nobody works at the pace he does. Famously winning the Palme d’Or at Cannes over Spike Lee’s equally skilled Do the Right Thing, Soderbergh’s film now plays as a warning for a narcissistic society that soon would become more fascinated in documenting itself than in experiencing real life. Why Are the Backstreet Boys Tweeting About QAnon? Watching it in the moment, there are stretches where Soderbergh’s plan seems to be “confuse them and then run,” but the overall feeling is that of refusal to play by the accepted dictates of narrative and frustration at its limitations, a feeling that fans of his should be used to. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. The film that announced Soderbergh as a top-shelf director of off-kilter-but-still-mainstream talent, and, notably, the first film that unlocked the cinematic charm of George Clooney (remember The Peacemaker? Revered icons Carl Reiner and Elliott Gould having an absolute ball. The movie may be a bit cavalier in its expert execution and pulpy plot twists, but Unsane’s brazen disreputability ends up being a feature, not a bug. 19. But once Tobey Maguire’s scheming soldier Tully is murdered, Jake uncovers a plan that involves high-tech weapons and a stormy prostitute (Cate Blanchett) whose husband may or may not be dead. Posted on August 31, 2017 August 31, 2017 by Mike Gray. Saturday Night Fever (1977) 82% #13. Just as problematic is the conceit of Soderbergh attempting to replicate the look of famed Howard Hawks and Jules Dassin noirs, only with his own experiments in framing and blocking to give a bit of personality. Directed By: Steven Soderbergh #13. “It’s just totally sleepy … This thing is just dead-on-arrival … I can’t say that I would recommend it to anyone.” Never let it be said that Soderbergh is deluded about the quality of his misfires: Those quotes were all comments he made about The Underneath, his deeply meh exercise in modern film noir. I think the hardest movies to make are ones that don’t tackle tough issues, or are “powerful”. We’d watch all of these again, even the bad ones. All 28 Steven Soderbergh Movies Ranked From Worst To Best. Soderbergh meets Elmore Leonard and the sparks fly. For as much as Soderbergh has been credited with helping to elevate George Clooney’s film career — creating the right platform for his suave, slightly smirking silver-screen persona — not enough has been said about the rapport he’s had with Clooney’s Ocean’s costar. and Contagion screenwriter Scott Z. Burns in this supposed “inside story” of the Panama Papers, and really about insurance fraud and financial malfeasance. We took all of the movies directed by Steven Soderbergh and looked at their Rotten Tomato Critic, Rotten Tomato User, Metacritic, Metacritic User, IMDB, and Letterboxd scores, ranking them against one another to see which movies came out on top. That movie is so entertaining and completely watchable at any time. constantly flaunts its phoniness, which ends up being a perfect way to critique the story’s theme of the lengths ordinary people will go to construct new, better versions of themselves. Forever quixotic, Soderbergh decided to do a movie about Franz Kafka that turns Kafka himself (a miscast Jeremy Irons) into a character in a story that seems like it would be written by Kafka but more feels like it’s written by someone trying to be self-consciously “Kafka-esque.” The result is a frustrating art project that’s intentionally off-putting. Hotchner’s memoir of growing up on his own in Depression-era Missouri, Soderbergh’s third film confronts imagination run wild, as Jesse Bradford’s Aaron must survive without parenting or much of any supervision while still trying to make it through elementary school. There are flourishes of abstract symbolic imagery that suggest an ode to Godard but there’s something far more rueful about the overall tone of the movie. Steven Soderbergh’s 10 best films ranked in order of greatness faroutmagazine.co.uk - Swapnil Dhruv Bose “To me the director’s job is to leave it in better shape than you found it, literally.” – Steven Soderbergh American filmmaker Steven Soderbergh has … Movies. But the ideas behind the design of The Good German end up being a lot more satisfying than the story, which follows American journalist Jake Geismer (Clooney) as he enters postwar Berlin to cover a conference hosted by the victorious Allied leaders. Logan Lucky may be the last true comedy on the list, but it holds its own against even the most prestigious of Steven Soderbergh’s movies. Fury, resentment, guilt, and grief blend together in Wilson’s war against Valentine, interrupted for lovely interludes with fellow ex-con Eduardo (Luiz Guzman) and Lesley Anne Warren’s Elaine, Wilson’s friends and neighbors in the small seaside community where he plots. Michael Douglas’ judge might wield the most power in the fight to shape better domestic drug policy but losing the PR war decimates his influence, whereas the dirty, legally dubious bargains and the testimony that Benicio del Toro’s good cop can facilitate might do more for the real work of cutting down the cartels. , ‘ bad Boy ’ with Young Thug, Drops was reportedly improvised heavily, Kerry... Range as a super-confident, give- ‘ em-a-show director flat dialogue and relentless monotony career Funny. Made them money. most conventional crowd-pleaser Soderbergh will ever make and host a podcast on film )! Sober, meticulous approach from feature filmmaking for several years, my favourite American director back... Kerry Washington have also been added what style ; some of them are big studio tentpoles ; some them., Um, why is a movie that goes off like a firecracker and has as little lasting impact ’., Contagion is uniquely suited to Soderbergh ’ s latest films late rapper one... 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